Monday, January 15, 2007

Mike Rowe Rocks

Well, today is Martin Luther King Day, and I have the day off from work. Being that there is no good television on weekdays, and due to the limitation of channels in my cable package, there was really only about one choice for me if I wanted to watch any television during my lunch: Discovery Channel. And as luck would have it, Mike Rowe was on the air with his show Dirty Jobs. I've had profound respect for the man already in his quest to experience first-hand the dirty jobs of this world that make civilization possible. With his spirit of adventure, quick wit and sarcasm, manly-man attitude, and his ability to make all people seem interesting, I can't help but get caught up in this irregular style of reality television.

Today Mike Rowe exceeded his already sterling reputation in my eyes as he replayed some of the interactions he's had with creepy crawlies. I was so engaged by his show today, that he's earned a post on my blog. Not that my blog has gained legendary status yet (and I emphasize "yet") ;), but still, it's got to provide some level of honor.

(For those of my friends who are sensitive to disgusting things (i.e. Sharon), you may not want to read any further)

He replayed an episode that he spent with a bat biologist. He was to enter a cave with this biologist where some 40 million bats lived so that the biologist could check for parasites on bats and to make sure there aren't any other threats to their well-being. But before they entered the cave, the biologist explained the health hazards of going into this cave. They are, as listed below:

1. High temperatures that can quickly lead to dehydration
2. High contents of carbon dioxide (which require that they wear gas masks)
3. High contents of ammonia (if their eyes were exposed, they would burn unbearably. If they breathed in the air, they would struggle for air, causing them to pass out).
4. Furthermore, the source of the high ammonia levels is the waste of these flesh-eating beetles that feed off of the enormous levels of bat guano. If they were to pass out, they would quickly be covered by these flesh-eating beetles that would consume them to the bone.

So the bat biologist meets Mike before going into the cave wearing a rubber suit, rubber boots, rubber gloves, and a gas mask to protect him from the elements. For Mike, he brings a gas mask and rubber boots. Mike wittingly quips, "I failed to receive the memo on the proper attire." I started laughing as I saw the biologist and Mike descending into the cave, one man in rubber suit, the other in pants, t-shirt, oversized rubber boots and a gas mask. As they approach the bat living area, they are stepping in a fine, sand-like substance more than ankle deep, which Mike soon discovers is dried bat guano. I never imagined that animal waste could pile so high, and as you'll see, it gets worse. As they walk beneath the swarming bats, Mike comments that it feels like he's getting rained on. As you probably guessed, it's not rain. It's millions of bats flying overhead, pissing and pooping at such a pace that it feels like a steady, light rain. Once again, to make it all the more hilarious and disgusting, Mike has a t-shirt on.

The reason why bats have so much waste is because they fly so much that they basically need to eat their own body weight in insects every night to maintain their active lifestyle. That's 40 million bats eating their body weight in insects every night and then returning to the cave to drop most of it. If they were ever to be too weak to fly, and happened to land on the guano-covered cave floor, they would quickly be consumed by those flesh-eating beetles, which Mike made sure to have the cameraman zoom in on (with a bat skeleton in the midst of the beetles).

So as they are leaving the cave, Mike gets stuck knee deep in bat guano, which the biologist compares to quicksand. Truly, that's about what it was. As Mike lifts one foot out, the other foot sinks deeper in, and before long, both his legs are knee deep in bat guano and he couldn't do a thing about it. Eventually, in order to take the weight off of his legs, Mike has to lay back on top of the bat guano, which is teeming with flesh-eating beetles, and have the biologist help drag his feet out of the guano, at which time he loses one of his boots completely. I really think Mike was starting to panic a bit when he was knee deep, and as he laid back he said half-seriously "This is no way to die!" I laughed of course, but at the same time, earned a whole new level of respect for Mike Rowe's willingness to get his hands (and feet) dirty with the men and women who have the truly challenging jobs of this world.

So if you're ever looking for something unique, informative, and humorous to watch, I give my full recommendation to Dirty Jobs with Mike Rowe. Come with an open mind and a strong stomach.

Sunday, January 7, 2007

Saturday Night Live and Performance Anxiety

Last night, probably for the first time in my life, I watched Saturday Night Live from start to finish. I think the show Studio 60 on the Sunset Strip piqued my interest in sketch comedy (despite the fact that I lost interest in the television show after about 5 episodes). The show helped me realize, though, how much SNL drives public perception (or does it reflect public perception?) regarding politicians and political issues, as well as makes some interesting statements about social problems. Because comedy's merit is judged primarily by whether it makes us laugh or not, it is often seen as whimsical. Perhaps, though, that is why comedy can have such power. It can disarm its audience more into accepting its message, whereas outright accusations put people on the defensive, immediately causing them to defend their prior point of view. Realizing that comedy is a watchdog of sorts makes it more interesting. Instead of basing my entire judgment of the value of a skit on whether it makes me laugh uproariously or not, I can also look for what statement it is making about our society. Above, I questioned whether SNL might drive public perception or simply reflect it. I guess after thinking about it more, it doesn't really matter. Even if it reflects perception, the comedy still solidifies the idea, creating an alliance of like minds.

In any case, that was not the observation I wanted to make about watching SNL. I guess I just wanted to explain why out of the blue, I suddenly watched an entire program of SNL. And I must say, I enjoyed it. I was disappointed when I realized that the show was going to end with a performance by Christina Aguilera and Tony Bennett. They had absolutely no chemistry together on stage, despite the fact that they actually sounded pretty good. This is neither here nor there, though!

The observation I really wanted to make was about Alec Baldwin, who I think was hosting SNL for the 13th time (at least that's what he claimed). Baldwin is good, and he keeps getting invited back, because, besides the talent, he's very loose on stage. Perhaps that just comes with confidence in his abilities, but I think it also comes from not fearing that he's going to screw up. And I've noticed that about other people also. The good performers and speakers really don't seem to worry excessively about saying something stupid or embarrassing. But me, when I'm in front of people, have a tendency to be conscious of the fact that I could say something stupid at any given moment. Oftentimes, once I get up in front of people, I can kind of push it back out of mind, but later, I will review everything I said and wonder, "Did I communicate that clearly enough? Did I offend someone when I said that? Did I come across as incompetent?" The reason I was thinking about this last night is because I was absolutely wiped out from having been in front of people earlier in the day. We had orientation for our part-time MBA students, and the day really went well, and they really seemed to enjoy doing the team-building activity that I facilitated. And yet, as I sat at home by myself, all those questions started filtering into my mind, and I started worrying about some of the things I forgot to say, or how some things didn't come out smoothly. And I also soon realized that the primary reason I took a two-hour nap after getting back home is because being in front of people had sapped me emotionally. And every other time I'm in front of people, I get sapped emotionally. And it's no wonder I struggled to find strength at the end of a day of teaching to put together a plan for the next day quickly. I'd end up crashing as soon as I sat down for dinner, and then it was hard for me to get back to work right away knowing I was going to have to face a classroom of students again the next day. So then I'd have to sacrifice sleep, usually by going to bed early and getting up at some ungodly hour, like 3:00. The fear of not having a plan in front of a classroom, fortunately, would help me find the strength to work so many hours. But I never felt like I could get ahead. I felt like I was fighting a losing battle.

Somehow, some way, I've got to figure out how to be like Alec Baldwin, or anyone else who is a good performer. I know I'm not as talented as those people, but many of my friends find me engaging and entertaining, and yet, when I'm in front of a large group, I lose much of my engaging nature, because of that worry in the back of my mind that I'm going to screw up. In order to survive up there right now, I have to turn off my emotions, which, along with them, goes a level of my sense of humor and my ability to connect with my audience. I continue to volunteer to speak in front of groups, because I want to get comfortable doing it, but I've got to get rid of my coping mechanism. I need to learn how to be loose in front of an audience. I really believe if I can lose that self-consciousness, that I would be a fairly engaging public speaker, that maybe I could actually enjoy it.

So if anyone had similar fears, and has learned how to loosen up, let me know. I could use the advice.